My obsession with Elvis is ‘almost like a drug’: EMIN shoots the breeze on love for king of pop
My obsession with Elvis is almost like a drug: EMIN’s deep connection to the King of Pop
My obsession with Elvis is almost – EMIN’s unwavering admiration for Elvis Presley has reached a level that feels addictive, as he puts it during a candid interview. The singer, known for his eclectic style, describes his affection for the rock and roll legend as more than just a passion—it’s a constant companion. “My obsession with Elvis is almost like a drug,” he reveals, capturing the essence of how deeply the King of Pop has influenced his life and work. The setting, a relaxed studio overlooking the Caspian Sea, amplifies the ease with which EMIN shares his thoughts, his words flowing like a familiar melody. His conversation blends personal anecdotes with professional insights, offering a rare glimpse into the heart of an artist who still finds inspiration in the past.
A Timeless Influence
EMIN’s journey with Elvis began in the early days of his musical awakening, a moment he recalls vividly. “I think the first song I ever heard of his was *That’s Alright, Mama*—the same one that most people encountered,” he says, his tone filled with nostalgia. That track, a debut single, sparked a lifelong bond with the iconic artist. Decades later, at 46, he admits the connection remains as strong as ever. “I still, when I drive in my car, when I’m sitting with my friends, when I had a little bit to drink, I’ll make everybody listen to all this,” he jokes, highlighting how Elvis has become an inseparable part of his creative process. Friends often tease him, but EMIN’s devotion is a testament to his enduring fandom.
“There’s been new music released in the past 23 years, but I will turn on, you haven’t heard *Hurt*. You haven’t had a live performance from 1974. It’s incredible. Are you lost? Look at the funny Elvis. Look at… And I will just…”
For EMIN, Elvis is more than a musical idol—he’s a constant source of motivation. “It’s almost like a drug,” he says, encapsulating the way the artist’s legacy seeps into every aspect of his life. Whether in the studio or on the road, Elvis’s music often serves as the anchor for his artistic direction. His ability to connect with the King of Pop’s soulful performances continues to inspire, even as he explores new genres and collaborations. The interview reveals how his personal connection to Elvis transcends the typical fan admiration, becoming a driving force in his career.
Collaborative Soul
EMIN’s latest album, *Maybe Tomorrow*, reflects this enduring bond while embracing modern creativity. Produced under the guidance of David Foster, the project is a blend of classic and contemporary sounds, with duets playing a pivotal role. One standout collaboration is with Amanda Holden, whose vocals complement his own on a track that feels both timeless and fresh. “That was David’s idea,” EMIN explains, noting how his longtime friend’s vision led to the album’s unique structure. “He said I’d like to have at least one female-male-female duet on the album and let’s see what the song could be.” The result is a piece that resonates with the same emotional depth as Elvis’s classics.
“That’s David’s favourite vocal of mine,”
Even in the studio, EMIN’s connection to Elvis is evident. While working on the album, he often finds himself drawing parallels between his own artistry and the King of Pop’s influence. “My obsession with Elvis is almost like a drug,” he repeats, underscoring how the music has become a part of his daily routine. Whether through live performances or recordings, Elvis’s presence is felt in every note of his work. The album’s tracks, including *You Are So Beautiful*, serve as a bridge between past and present, a tribute to the artist who first captivated him as a teenager.
EMIN’s reverence for Elvis isn’t just about nostalgia—it’s a deep, unshakable admiration that fuels his creativity. “I still, when I drive in my car, when I’m sitting with my friends, when I had a little bit to drink, I’ll make everybody listen to all this,” he says, echoing his earlier sentiment. This repeated emphasis on Elvis’s music in his life highlights how the artist’s influence is woven into his identity. Even as he navigates the ever-evolving music scene, EMIN’s passion for Elvis remains a cornerstone of his artistic journey, a reminder of the power of music to transcend time and space.
